Installation view of Proposals for Loops in Linear Time a new collaborative exhibition by Zalika Azim, rafa esparza, and Dewey Tafoya. Prospect.6: The Future is Present, The Harbinger is Home, New Orleans, LA.
Ascension Device II (actions for earth…or some other oscillation…a haptic and sonic engagement…a breath…or an architecture for gathering between space and time), 2024. Wood, aluminum, polypropylene ropes, spoked wheels, and electric gear motors, 276 x 91 x 25.25 inches (overall dimensions).
Installed with adobe bricks by rafa esparza for Proposals for Loops in Linear Time, Prospect.6: The Future is Present, The Harbinger is Home, New Orleans, LA.
Installation view from MFA Thesis Exhibition #4, 2023. New Wight Gallery, The Broad Art Center, University of California Los Angeles (UCLA).
Ascension Device I (for meditations on arrival), 2022. Wood, aluminum, polypropylene ropes, spoked wheels, and electric gear motors, 78 x 168 inches (overall dimensions).
Gathering #3 (Double Dutch Study), 2021. Charcoal on paper, 32 1/2 x 22 1/2 inches (framed).
Gathering #1 (Double Dutch Study), 2021. Charcoal on paper, 32 1/2 x 22 1/2 inches (framed).
Installation views from MFA Thesis Exhibition #4, 2023. New Wight Gallery, The Broad Art Center, University of California Los Angeles (UCLA).
Blood Memories (or a going to ground), 2023. Video (color, silent), TRT 00:17:07. *Video link available upon request
Installation view of Propositions for an ontology (or to make amends with opacity), 2021 and Score I (Studies for Gravity), 2022 from MFA Thesis Exhibition #4, 2023. New Wight Gallery, The Broad Art Center, University of California Los Angeles (UCLA).
Propositions for an ontology (or to make amends with opacity), 2021. Five Dye over exposed diffusion transfer prints (Polaroids), 11 7/8 x 14 3/4 inches (framed) each.
Score I (Studies for Gravity), 2022. Letterpressed prints and ink, Dimensions Variable.
Score I (Studies for Gravity), detail, 2022. Letterpressed prints and ink, Dimensions Variable.
Image description: Three text panel works stained in wood finish and car oil, in a room with two found tires acquired from highways throughout Los Angeles, CA. Tires are placed on artist made pedestals. Installation view of works from developing series Photographs Not Taken. New Wight Gallery, The Broad Art Center, UCLA.
Tire II (coming’ up the rough side on our way home), 2021, Found object acquired from highway in Los Angeles, CA placed on artist made pedestals. Image description: Installation view of work from developing series Photographs Not Taken. New Wight Gallery, The Broad Art Center, UCLA.
Tire I (for what can not be remembered), 2021, Found object acquired from highway in Los Angeles, CA placed on artist made pedestals. Image description: Installation view of work from developing series Photographs Not Taken. New Wight Gallery, The Broad Art Center, UCLA.
Heard on higher grounds (the hunted have two primary tools for survival: imagination and hyperbole), 2021, C-print mounted on archival pigment print, 50 x 33.4 inches
A calling to those not there, who never arrive, and can’t stay (deep time), 2021, C-print mounted on archival pigment print, 50 x 33.4 inches
Somewhere in advance of nowhere (or how to move a line when it is buried in the earth), 2021, C-print mounted on archival pigment print, 50 x 33.4 inches
Until these calamities be overpast, 2018, Archival Pigment Print, 33 x 26 inches
To speak of a lush hot blooded land, to the dispossessed, too busy to visit, 2019, Twice impressed archival pigment print and gold ink, 33 x 26 inches
A place where the soul can rest (Visiting Aunt Louise), 2016/2018, Archival Pigment Print, 33 x 26 inches
To raise sand (twice by arson, once by catch fire), 2016/ 2018, Archival Pigment Print, 33 x 26 inches
To transplant in alien soil (far from the promised land both north and south), 2018, Inkjet prints mounted on Archival Pigment Print, 33 x 26 inches
The tale of his arrival, 2019, Twice impressed archival pigment print and gold ink, 33 x 26 inches
The north is no kinder mistress, 2016/2018, Archival pigment print, 33 x 26 inches
If you get there before I do (Space Traders), 2018, Archival pigment print, 22.5 x 17.5 inches
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