SHAN Wallace, Glitch, 2024. Video Still.
1-on-1: Artist Dialogues Series (Interview)
Common Practice. Spring 2025.
Featuring SHAN Wallace and Zalika Azim.
This conversation was held in honor of the inaugural Common Practice Photography Grant, awarded to SHAN, and their commission for the exhibition COMMON PRACTICE: Public Access (June 10 – September 3, 2023). Presented at NXTHVN – located in Dixwell, a historically rich African American community that neighbors Yale University, New Haven, Connecticut – the exhibition explored the impact of basketball as a cultural medium and its capacity for community building.
Ben Vereen performing (in tribute to Bert Williams) at the All-Star Inaugural Gala honoring president-elect Ronald Reagan. Washington, D.C., January 19, 1981.
Unsettling the Archive and the Fullness Thereof (Essay)
Countermythologies. New Haven: NXTHVN, 2020.
Azim, Zalika, Majeed, Riham and Tuazon, Ana.
On the occasion of NXTHVN’s inaugural exhibition, Countermythologies, NXTHVN Gallery, March 7, 2020 – July 24, 2020.
Alexandria Smith, The Intuitionist, 2018. Acrylic, oil and enamel on canvas.
Alexandria Smith (Essay)
NXTHVN: 01, New York: Tilton Gallery & NXTHVN, 2019.
Azim, Zalika, Majeed, Riham and Tuazon, Ana.
On the occasion of the exhibition, NXTHVN: First Year Fellows, Tilton Gallery, November 5, 2019 – January 18, 2020.
Vaughn Spann, Trasmitting frequencies to the ancestors, 2019. Polymer paint and terry cloth on canvas.
Vaughn Spann (Essay)
NXTHVN: 01, New York: Tilton Gallery & NXTHVN, 2019.
Azim, Zalika, Majeed, Riham and Tuazon, Ana.
On the occasion of the exhibition, NXTHVN: First Year Fellows, Tilton Gallery, November 5, 2019 – January 18, 2020.
Jarrett Key, Hair Painting No. 3, 2016. Tempera on Paper, Photo: Kameron Neal
Marilyn Nance, Egungun Work, 1994. Installation. The Studio Museum in Harlem, From the Studio: Artist-in-Residence, 1993 – 1994, October 19, 1994 – December 31, 1994. Photo: Marilyn Nance
Collection Visit: Marilyn Nance (Article)
Azim, Zalika, and Doris Zhao
New York: Studio Magazine. Winter/Spring 2017.
Adam Pendleton. Detail of installation view, Belgian Pavilion, Venice Biennale, May 9–November 22, 2015. Photo: Zalika Azim
A Milestone for Postcolonial Thought: Examining Art and Race in Florence and Venice (Article)
Azim, Zalika
MoMA Inside/Out Blog. August 5, 2015.